Robert Holliston, Gwen Thompson and Paula Kiffner in recital, Alex Goolden Performance Hall, 16 October 2015 |
Rain streaks the windscreen of the Chevy
Cavalier as we make our way from Victoria to Nanaimo, en route to Vancouver for
the next part of our journey. The violin is snug in the back seat between my
suitcase and I. My partner and his mother chat in the front seats. The forests
are misty swathes of blue-green and grey peppered with bursts of copper and
gold.
Art
is the path of a lifetime, it doesn’t happen overnight.
Whether or not we are artists, we are
creative beings. We are telling the stories of our lives and finding meaning in
the mundane and sublime. It delights me that the audience for Paganini’s Shadow this past Saturday
night included children as young as age seven, and the elderly. Nine-year-old
George was overheard begging his mother to be allowed to stay for the second
half of the show, past his bedtime.
The arts should be inclusive, accessible
and universal. The myth of exclusivity, so prevalent in perceptions of western
classical music, serves only to restrict and confine, not nurture. The penguin
suit is just another costume for the traveling minstrel – Le Bateleur, in the Marseille Tarot. When we recognize true
creativity in a performance on the stage before us, the spirit within us
responds and expands to meet it.
What started out as a solo show (Paganini’s Shadow) presented alongside
an independent work of puppetry by Tim Gosley (exploring the life of poet Robin
Skelton), evolved through the rehearsal process to adapt to present conditions
and resources. We found unexpected resonance between the cards of the tarot and
the alphabet cards created by Tim for his performance. We discovered an ability
to tell a story through music, words and images, in a way that altered our
expectations of what each element could do.
Tim Gosley in rehearsal last week in Fairfield, Victoria |
At the Q&A following Paganini’s Shadow, someone asked me what
it had been like turning pages for Robert Holliston’s 60th birthday
celebration concert on Sunday October 16th, at the Victoria Conservatory of
Music. Powerhouse violinist Gwen Thompson and celebrated soprano Nancy Argenta
were among the artists sharing the stage that afternoon. I replied that it was
like being swept up in a vortex of creative energy. I recalled that pianist Tzenka
Dianova had said, “You were so good, I didn’t know you were there.”
As a page-turner, you contribute by doing
as little as possible, at just the right moment. You do this by tuning in,
listening deeply, and aligning your energy with what’s going on. You become the
music. As Pacific Opera Victoria’s General Manager Patrick Corrigan told me
last night (after a few Scotches) at the closing party for Otello, creativity – the path of the
artist – is a lifelong path. There is no listener and no performer. We are all
travelers in the stream of love.